Best films turning 50 in 2023
Published 9:00 pm Wednesday, December 28, 2022
Paramount Pictures // Getty Images
Best films turning 50 in 2023
As 2022 draws to a close, many film enthusiasts are already looking ahead to their most anticipated releases of 2023. However, it’s also never too soon to start appreciating film anniversaries in the new year, and 2023 is chock-full of them. In fact, many iconic films are turning 50, marking half a century since some of the most exciting cinematic debuts of the 1970s.
The year 1973 in film involved some highly notable events. The iconic and controversial possession classic “The Exorcist” pushed the limits of what a horror film could be and became the exceptional horror film to receive a Best Picture nomination. American auteurs like Martin Scorsese and Terrence Malick announced themselves as exciting cinematic storytellers with their breakout features “Mean Streets” and “Badlands,” respectively. Elsewhere, the year proved notable for Asian voices in cinema—”Enter the Dragon” mainstreamed martial arts films in a new way, while “Lady Snowblood” laid out an unbeatable template for samurai-driven revenge films.
Still, you might be wondering, which films turning 50 in 2023 are the best?
To find out, Stacker gathered data on all movies turning 50 in 2023 and ranked the top 50 by IMDb user ratings, with ties broken by the number of votes. In order to qualify, each film had to have at least 1,000 user votes and be released theatrically in 1973. Metascores are provided for critical context when available.
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Columbia Pictures
#50. The Way We Were
– Director: Sydney Pollack
– IMDb user rating: 7.0
– Metascore: 61
– Runtime: 118 minutes
“The Way We Were” centers on the unlikely coupling of political activist Katie (Barbra Streisand) and WASP-y traditionalist Hubbell (Robert Redford). When the pair move to Hollywood after World War II so Hubbell can pursue screenwriting, he becomes worried that continued activism will threaten his career as the blacklist looms. While the film’s politically opposed romance doesn’t necessarily hold up today, it remains an interesting portrait of the House Un-American Activities Committee’s impact on art and American freedom of expression, as the story is based on writer Arthur Laurents’ own experiences with the committee.
Metro-Goldwyn-Mayer (MGM)
#49. Soylent Green
– Director: Richard Fleischer
– IMDb user rating: 7.0
– Metascore: 66
– Runtime: 97 minutes
“Soylent Green” presents a dystopian, ecologically ravaged vision of a futuristic New York City, in which police detective Robert (Charlton Heston) investigates an executive’s murder at the mysterious Soylent Corporation. Loosely based on Harry Harrison’s 1966 sci-fi novel “Make Room! Make Room!,” the film’s prescient vision of a world ravaged by climate change, capitalism, and poverty has aged better than some melodramas of its genre.
Bokari
#48. The Spook Who Sat by the Door
– Director: Ivan Dixon
– IMDb user rating: 7.1
– Metascore: data not available
– Runtime: 102 minutes
Adapted from Sam Greenlee’s groundbreaking book of the same name, “The Spook Who Sat by the Door” tells the story of the fictional Dan Freeman (Lawrence Cook), who becomes the CIA’s token Black espionage employee, before becoming disillusioned with the agency and using his skills to train young freedom fighters in Chicago. The film was quickly removed from theaters due to its critical view of the CIA, and only became widely accessible again when it was rereleased on DVD in 2004.
Verenigde Nederlandsche Filmcompagnie (VNF)
#47. Turkish Delight
– Director: Paul Verhoeven
– IMDb user rating: 7.1
– Metascore: data not available
– Runtime: 108 minutes
This popular, Academy Award-nominated Dutch film centers on a free-spirited young woman named Olga (Monique van de Ven), who becomes involved in a fraught romance with sculptor Eric (Rutger Hauer) after offering him a ride. The story soon turns into a sexploitation dark comedy and is one of the most successful films in the history of Dutch cinema.
Harbour Productions Limited
#46. Theater of Blood
– Director: Douglas Hickox
– IMDb user rating: 7.1
– Metascore: 81
– Runtime: 104 minutes
Horror icon Vincent Price gives arguably one of his best performances as jaded Shakespearean actor Edward Lionheart in “Theater of Blood.” After he is saved from suicide, the failed actor begins to kill off his critics using methods reminiscent of murder scenes in Shakespeare’s plays, right after quoting their negative reviews of his work.
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Mara Films
#45. La Grande Bouffe
– Director: Marco Ferreri
– IMDb user rating: 7.1
– Metascore: data not available
– Runtime: 130 minutes
Italian provocateur Marco Ferreri reached new heights of cult controversy with “La Grande Bouffe,” which follows four wealthy men who decide to gorge themselves to death on fine dining, in between trysts with sex workers. The black comedy’s lewd criticisms of the bourgeoise took aim at the consumerist tendencies of the era’s wealthy.
Este Films
#44. The Three Musketeers
– Director: Richard Lester
– IMDb user rating: 7.1
– Metascore: 77
– Runtime: 106 minutes
This ’70s adaptation of “The Three Musketeers” injects plenty of swashbuckling comedy into author Alexandre Dumas’ classic tale of chivalry. Director Richard Lester originally conceived the adaptation as a project for the Beatles, with whom he had already made “A Hard Day’s Night” and Help!” A sequel, “The Four Musketeers,” was released in 1974.
Jack Rollins & Charles H. Joffe Productions
#43. Sleeper
– Director: Woody Allen
– IMDb user rating: 7.1
– Metascore: 77
– Runtime: 89 minutes
Taking inspiration from classic comedians like Charlie Chaplin and Buster Keaton, this sci-fi comedy stars Woody Allen as Miles, an ordinary man who’s cryogenically frozen and awakens two centuries later. Finding himself amid a rebellion against a dystopian regime, Miles joins the rebellion and falls in love with local woman Luna (Diane Keaton). Allen’s films have been viewed in a new, negative light following more recent accusations of molestation and sexual abuse against the director.
The American Film Theatre
#42. The Iceman Cometh
– Director: John Frankenheimer
– IMDb user rating: 7.2
– Metascore: 76
– Runtime: 239 minutes
Dubbed “one of the single richest cinematic re-imaginings of any American play” by Kanopy, “The Iceman Cometh” is, indeed, based on Eugene O’Neill’s acclaimed play of the same name. Lee Marvin stars as Theodore “Hickey” Hickman, who encourages his fellow alcoholics to give up their lofty dreams of better lives, as dark secrets from his own past surface.
Twentieth Century Fox
#41. Emperor of the North
– Director: Robert Aldrich
– IMDb user rating: 7.2
– Metascore: data not available
– Runtime: 118 minutes
Originally titled “Emperor of the North Pole,” this film centers on Great Depression-era hobo A No. 1 (Lee Marvin), whose street smarts are challenged when he teams up with younger hobo Cigaret (Keith Carradine) to face off against strict, anti-stowaway railroad conductor Shack (Ernest Borgnine). Many of the film’s events are based on Jack London’s 1907 travel memoir “The Road.”
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Warner Bros.
#40. The Last of Sheila
– Director: Herbert Ross
– IMDb user rating: 7.2
– Metascore: data not available
– Runtime: 120 minutes
One of the primary inspirations for Rian Johnson’s whodunit films “Knives Out” and “Glass Onion: A Knives Out Mystery,” this movie follows Hollywood producer Clinton (James Coburn), who attempts to identify his wife’s murderer by hosting six suspects aboard his yacht. The script was written by acclaimed composer Stephen Sondheim and “Psycho” star Anthony Perkins.
Twentieth Century Fox
#39. The Paper Chase
– Director: James Bridges
– IMDb user rating: 7.2
– Metascore: 65
– Runtime: 113 minutes
In “The Paper Chase,” first-year Harvard law student James (Timothy Bottoms) gets an unpleasant surprise when he discovers that his girlfriend Susan’s (Lindsay Wagner) father is the school’s harshest law professor, Charles (John Houseman). Houseman later reprised his role in a TV show of the same name, which told the story of James’ subsequent three years of law school.
Warner Bros.
#38. Scarecrow
– Director: Jerry Schatzberg
– IMDb user rating: 7.2
– Metascore: 72
– Runtime: 112 minutes
“Scarecrow” stars Gene Hackman and Al Pacino as an ex-con and a former sailor, respectively, who become unlikely friends as they travel from California in hopes of starting a business in Pittsburgh. Although the film received the prestigious Grand Prix du Festival award at the 1973 Cannes Film Festival, it was a box-office bomb upon its initial release.
Metro-Goldwyn-Mayer (MGM)
#37. Pat Garrett & Billy the Kid
– Director: Sam Peckinpah
– IMDb user rating: 7.2
– Metascore: 53
– Runtime: 122 minutes
In this Western, aging Sheriff Pat Garrett (James Coburn) is hired by a group of wealthy New Mexico barons to go after his former friend, the outlaw Billy the Kid (Kris Kristofferson). The film was heavily re-edited due to conflicts between director Sam Peckinpah and Metro-Goldwyn-Mayer, causing it to receive lackluster reviews upon its initial release. However, the original edit was eventually released in the 1980s, leading to a critical reevaluation of “Pat Garrett & Billy the Kid” as one of the director’s best films.
Eldorado Films
#36. Don’t Look Now
– Director: Nicolas Roeg
– IMDb user rating: 7.2
– Metascore: 95
– Runtime: 110 minutes
Based on a short story by Daphne du Maurier, “Don’t Look Now” centers on couple John (Donald Sutherland) and Laura (Julie Christie), who travel to Venice to restore a church while grieving the recent death of their young daughter, Christine (Sharon Williams). Soon, Laura meets two sisters (Hilary Mason and Clelia Matania) who claim to be able to communicate with Christine from beyond the grave. Apart from being known as a hallmark of slow-burn horror, “Don’t Look Now” is remembered for the controversy that followed the film’s sex scene, which was considered explicit by the era’s standards.
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Warner Bros.
#35. Magnum Force
– Director: Ted Post
– IMDb user rating: 7.2
– Metascore: 58
– Runtime: 124 minutes
The longest of the Dirty Harry films, “Magnum Force” once again follows San Francisco policeman “Dirty Harry” Callahan (Clint Eastwood), who investigates a local vigilante group who have started executing criminals who escaped punishment based on technicalities. Callahan’s primary suspect? His ex-partner, Charlie (Mitchell Ryan). “Magnum Force” received controversy in 1974, when real-life killers used a drain cleaner murder scene in the infamous Hi-Fi murders.
Warner Bros.
#34. Mean Streets
– Director: Martin Scorsese
– IMDb user rating: 7.2
– Metascore: 96
– Runtime: 112 minutes
Legendary filmmaker Martin Scorsese established himself as an exciting voice in American cinema with “Mean Streets.” The semi-autobiographical film follows two friends (Harvey Keitel and Robert De Niro) rising within the ranks of a Little Italy mob in Manhattan.
Mushi Productions
#33. Belladonna of Sadness
– Director: Eiichi Yamamoto
– IMDb user rating: 7.3
– Metascore: 70
– Runtime: 86 minutes
In this underseen Japanese animated film, an innocent peasant woman named Jeanne (Aiko Nagayama) is violently sexually assaulted by local nobility on her wedding night. Seeking revenge, she makes a Faustian bargain with the devil and transforms into a vengeful, erotic sprite. Never officially released in the U.S., “Belladonna of Sadness” has been praised for its striking watercolor animation and psych-rock soundtrack from Masahiko Satō. However, some modern critics—such as the Los Angeles Times‘ Charles Solomon—have dubbed the film misogynistic by today’s standards.
Universal Studios
#32. Jesus Christ Superstar
– Director: Norman Jewison
– IMDb user rating: 7.3
– Metascore: 64
– Runtime: 106 minutes
“Jesus Christ Superstar” is a film adaptation of Andrew Lloyd Webber and Tim Rice’s famous Broadway rock opera of the same name, which follows the last weeks of Jesus Christ’s (Ted Neeley) life before he is ultimately betrayed by his disciple Judas (Carl Anderson). Although the film received mixed reviews from critics, its score was massively popular, and Neeley, Anderson, and Yvonne Elliman (who played Mary Magdalene) received Golden Globe nominations.
Rafran Cinematografica
#31. My Name Is Nobody
– Director: Tonino Valerii
– IMDb user rating: 7.3
– Metascore: 68
– Runtime: 116 minutes
As this offbeat Italian Western opens, aging gunfighter Jack Beauregard (Henry Fonda) has plans of catching a boat to Europe and enjoying a peaceful retirement. However, he’s recruited by one of his biggest fans, a young gunman named Nobody (Terence Hill), who seeks his help fighting a gang of outlaws.
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Paramount PIctures
#30. The Friends of Eddie Coyle
– Director: Peter Yates
– IMDb user rating: 7.4
– Metascore: 84
– Runtime: 102 minutes
In one of the most memorable performances of his career, Robert Mitchum portrays aging Boston gunrunner Eddie Coyle, who’s forced to consider betraying his criminal colleagues when he’s threatened with substantial jail time. Although the film was critically acclaimed and later received a Criterion release, it was a box-office bomb at the time.
The Malpaso Company
#29. High Plains Drifter
– Director: Clint Eastwood
– IMDb user rating: 7.4
– Metascore: 69
– Runtime: 105 minutes
“High Plains Drifter” was the first of many Clint Eastwood-directed Westerns. He also stars in the film playing a man known as “The Stranger,” who is recruited to protect a small town from three dangerous outlaws. Eastwood drew plenty of inspiration from directors and former collaborators Sergio Leone and Don Siegel, although famous Western star John Wayne famously hated the film.
Universal Pictures
#28. American Graffiti
– Director: George Lucas
– IMDb user rating: 7.4
– Metascore: 97
– Runtime: 110 minutes
A far cry from his dystopian sci-fi debut feature “THX 1138,” “American Graffiti” is a coming-of-age story following four teenagers enjoying their last carefree night before high school graduation. The film was nominated for Best Picture at the 1974 Oscars, and its resounding success cleared the way for Lucas to change the filmmaking game with “Star Wars” four years later.
Toho Company
#27. Lone Wolf and Cub: Baby Cart in the Land of Demons
– Director: Kenji Misumi
– IMDb user rating: 7.5
– Metascore: data not available
– Runtime: 89 minutes
The fifth of six Lone Wolf and Cub films, “Lone Wolf and Cub: Baby Cart in the Land of Demons” sees protagonist Ogami Itto (Tomisaburō Wakayama) hired to assassinate a tattooed woman who has been killing her enemies and cutting off their top knots. Meanwhile, his young son, Daigoro (Akihiro Tomikawa), becomes lost when he follows a pair of street performers out of town.
Zespól Filmowy “Silesia”
#26. The Hourglass Sanatorium
– Director: Wojciech Has
– IMDb user rating: 7.5
– Metascore: data not available
– Runtime: 124 minutes
This Cannes Film Festival Jury Award-winning film tells the story of a young Jewish man named Joseph (Jan Nowicki), who visits his aging father at a sanatorium—only to find that time in the place doesn’t unfold normally, and each room is full of whole psychedelic worlds haunted by memories and the prospect of death. Adapted from author Bruno Schulz’s work of the same name, “The Hourglass Sanitorium” also serves as an allegory for the collective trauma of the Holocaust.
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Mega Film
#25. Ludwig
– Director: Luchino Visconti
– IMDb user rating: 7.5
– Metascore: data not available
– Runtime: 238 minutes
This film from acclaimed Italian auteur Luchino Visconti tells the story of the life and death of King Ludwig II of Bavaria (played by a magnetic Helmut Berger). An opulent study of power and madness, “Ludwig” was one of the most expensive European films ever made at the time.
Universal Pictures
#24. Charley Varrick
– Director: Don Siegel
– IMDb user rating: 7.5
– Metascore: data not available
– Runtime: 111 minutes
In “Charley Varrick,” the titular criminal’s (Walter Matthau) small-town bank robbery doesn’t go according to plan. In fact, when he and fellow survivor Harman Sullivan (Andy Robinson) discover the money they stole belongs to the mob, the small-time crooks find themselves contending with a whole new set of foes.
Columbia Pictures
#23. The Last Detail
– Director: Hal Ashby
– IMDb user rating: 7.5
– Metascore: 89
– Runtime: 104 minutes
Often cited as one of Jack Nicholson’s best performances ever, “The Last Detail” centers on two Navy men (Nicholson and Otis Young) who take pity on the young sailor they are escorting to prison and set out to show him a good time before he’s put away. The film was notable at its time for its profanity, which included a number of F-word utterances that had rarely been seen before in cinema.
British Lion Film Corporation
#22. The Wicker Man
– Director: Robin Hardy
– IMDb user rating: 7.5
– Metascore: 87
– Runtime: 88 minutes
“The Wicker Man” has become such a staple of the folk horror genre that Ari Aster had to actively avoid remaking it while directing 2019’s “Midsommar.” Not to be confused with the critically panned remake starring Nicolas Cage, Robin Hardy’s film follows a police officer (Edward Woodward) investigating a disappearance in a remote Scottish village where bizarre pagan rituals take place each year.
Walt Disney Animation Studios
#21. Robin Hood
– Directors: Wolfgang Reitherman, David Hand
– IMDb user rating: 7.5
– Metascore: 57
– Runtime: 83 minutes
One of the first Walt Disney Productions animated films produced after Walt Disney’s death, “Robin Hood” tells the musical story of its titular fox (Brian Bedford) as he steals from the wealthy Prince John (Peter Ustinov) to help ordinary creatures in his home of Sherwood Forest. A Disney+ live-action remake is currently in the works.
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Estudios Churubusco Azteca S.A.
#20. The Castle of Purity
– Director: Arturo Ripstein
– IMDb user rating: 7.6
– Metascore: data not available
– Runtime: 110 minutes
In this Mexican drama, patriarch and rat poison salesman Gabriel (Claudio Brook) insists on “protecting” his wife (Rita Macedo) and children from the evils of the world by locking them inside their home for 18 years, and while in isolation, they help with the sinister family business. Inspired by a real-life 1959 criminal case in Mexico City which also inspired Yorgos Lanthimos’ film “Dogtooth,” “The Castle of Purity” remains a darkly comedic send-up of the nuclear family.
Memorial Enterprises
#19. O Lucky Man!
– Director: Lindsay Anderson
– IMDb user rating: 7.6
– Metascore: data not available
– Runtime: 178 minutes
This lengthy surrealist musical stars Malcolm McDowell as Mick, an ambitious young British coffee salesman who dreams of success. Through a series of bizarre turns, he is kidnapped by the military and ends up working for the sinister executive Sir James Burgess (Ralph Richardson), while falling for his daughter, Patricia (Helen Mirren).
Toho Film (Eiga) Co. Ltd.
#18. Lady Snowblood
– Director: Toshiya Fujita
– IMDb user rating: 7.6
– Metascore: 80
– Runtime: 97 minutes
Based on the manga series of the same name, “Lady Snowblood” stars Meiko Kaji as Yuki, a young woman trained from childhood to seek revenge upon the people who sexually assaulted her mother and killed her father and brother. The film was a major inspiration for Quentin Tarantino’s Kill Bill films years later.
Lion’s Gate Films
#17. The Long Goodbye
– Director: Robert Altman
– IMDb user rating: 7.6
– Metascore: 87
– Runtime: 112 minutes
In this playful satire of film noir, Elliott Gould plays private detective Philip Marlowe, who provides a favor for his old buddy Terry (Jim Bouton), only to learn that Terry’s wife has recently been murdered. Around the same time, he becomes involved in another case involving Terry’s former paramour Eileen (Nina van Pallandt).
Warner Bros.
#16. Enter the Dragon
– Director: Robert Clouse
– IMDb user rating: 7.6
– Metascore: 83
– Runtime: 102 minutes
“Enter the Dragon” stars Bruce Lee as a martial arts pro who enters a kung fu competition as a means of confronting the drug dealer who was responsible for his sister’s death. The film played a major role in the mainstreaming of martial arts films and is one of the first major martial arts movies to also incorporate elements of the blaxploitation genre.
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Euro International Films
#15. Love & Anarchy
– Director: Lina Wertmüller
– IMDb user rating: 7.7
– Metascore: data not available
– Runtime: 120 minutes
This Italian tragicomedy explores Mussolini’s fascist Italy through the lens of Giancarlo Giannini’s Tunin, a young farmboy who sets out to kill the dictator with sex workers Salome (Mariangela Melato) and Tripolina (Lina Polito). The black comedy won Giannini the Best Actor prize at the 1973 Cannes Film Festival.
Argos Films
#14. Fantastic Planet
– Director: René Laloux
– IMDb user rating: 7.7
– Metascore: 73
– Runtime: 72 minutes
This animated counter-cultural classic takes place on the fictional planet of Ygam, where large, blue-skinned aliens known as the Draags oppress small, illiterate humanoids called the Oms. However, when a young Om becomes educated, the stage is set for a revolution. A co-production between France and what was then known as Czechoslovakia, “Fantastic Planet” contains a strong political allegory for the Soviets’ control of Czechoslovakia after the 1968 Warsaw Pact occupation.
Warner Bros.
#13. Badlands
– Director: Terrence Malick
– IMDb user rating: 7.7
– Metascore: 93
– Runtime: 94 minutes
Terrence Malick established himself as a major American film talent with “Badlands,” the story of young lovers Holly (Sissy Spacek) and Kit (Martin Sheen), who go on a killing spree in the Badlands of Nebraska and Wyoming. Inspired by the real-life murders committed by Charles Starkweather and Caril Ann Fugate in 1958, “Badlands” established many of Malick’s well-known directorial elements, from its blend of violence and natural beauty to its unique voice-overs.
Artists Entertainment Complex
#12. Serpico
– Director: Sidney Lumet
– IMDb user rating: 7.7
– Metascore: 81
– Runtime: 130 minutes
Al Pacino won a Golden Globe for his “Serpico” role as New York City cop Frank, who becomes a whistleblower within his corrupt NYPD force and is targeted by crooks as a result. The movie is based on a real-life cop of the same name.
Elite Films
#11. The Mother and the Whore
– Director: Jean Eustache
– IMDb user rating: 7.8
– Metascore: data not available
– Runtime: 210 minutes
Drawing heavily from the French New Wave, “The Mother and the Whore” centers on a love triangle between aimless young man Alexandre (Jean-Pierre Léaud), his girlfriend Marie (Bernadette Lafont), and his other lover Veronika (Françoise Lebrun). Considered controversial for its subject material and sensuality upon its Cannes Film Festival premiere, the film stands as a frank analysis of the sexual politics of the time.
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Elías Querejeta Producciones Cinematográficas
#10. The Spirit of the Beehive
– Director: Víctor Erice
– IMDb user rating: 7.8
– Metascore: 87
– Runtime: 98 minutes
“The Spirit of the Beehive” takes place in the wake of the Spanish Civil War, as a young girl in rural Spain becomes obsessed with 1931’s “Frankenstein” and uses it to process the strife of her current reality. The movie has since been compared to Guillermo del Toro’s contemporary films “The Devil’s Backbone” and “Pan’s Labyrinth,” which also blend horror and history and are set during the Franco regime.
John Woolf Productions
#9. The Day of the Jackal
– Director: Fred Zinnemann
– IMDb user rating: 7.8
– Metascore: 80
– Runtime: 143 minutes
In “The Day of the Jackal,” a French paramilitary group desperate to assassinate President Charles de Gaulle (Adrien Cayla-Legrand) resorts to hiring a professional assassin known as “The Jackal” (Edward Fox). The film is based on Frederick Forsyth’s 1971 novel of the same name.
ABKCO Films
#8. The Holy Mountain
– Director: Alejandro Jodorowsky
– IMDb user rating: 7.8
– Metascore: 76
– Runtime: 114 minutes
This trippy film centers on a Mexican master (director Alejandro Jodorowsky), a Jesus-like figure (Horacio Salinas), and several disciples as they climb a mystical mountain and experience grotesque, bizarre hallucinations from gods who secretly rule the universe. “The Holy Mountain” was produced by Beatles manager Allen Klein, since John Lennon and George Harrison were fans of his previous film, “El Topo.”
F.C. Produzioni
#7. I Remember
– Director: Federico Fellini
– IMDb user rating: 7.9
– Metascore: data not available
– Runtime: 123 minutes
“I Remember” unfolds through a series of vignettes, following a young boy named Titta (standing in as one of director Federico Fellini’s childhood friends) as he grows up in fascist Italy during the 1930s. The movie won the Academy Award for Best Foreign Language Film, and is described by the Criterion Collection as “a circus of social rituals, adolescent desires, male fantasies, and political subterfuge.”
Balaka Movies
#6. Distant Thunder
– Director: Satyajit Ray
– IMDb user rating: 8.0
– Metascore: data not available
– Runtime: 101 minutes
“Distant Thunder” is set in a village in India’s province of Bengal during World War II and examines the impact of the Bengal famine of 1943 through the perspective of young doctor Gangacharan (Soumitra Chatterjee) and his wife, Angana (Bobita). Although the film starts off leisurely, it departs from this pacing as the effects of starvation affect ordinary village life.
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Les Films du Carrosse
#5. Day for Night
– Director: François Truffaut
– IMDb user rating: 8.0
– Metascore: data not available
– Runtime: 116 minutes
Heralded as one of the great films about the nature of moviemaking, “Day for Night” stars director François Truffaut, who attempts to make his latest film amid a deluge of offscreen drama among his stars. The ensemble cast includes an aging Italian diva (Valentina Cortese), a domineering actor (Jean-Pierre Léaud), and a British ingenue (Jacqueline Bisset) embroiled in a private scandal.
Les Films Corona
#4. Papillon
– Director: Franklin J. Schaffner
– IMDb user rating: 8.0
– Metascore: 58
– Runtime: 151 minutes
Adapted from Henri Charrière’s semi-autobiographical novel of the same name, “Papillon” stars Steve McQueen as a prisoner framed for murder and sentenced to work in a French Guiana penal colony for life. He forms a bond with forger Louis (Dustin Hoffman), as the two fantasize about their escape. Although some viewers have doubted the authenticity of Charriere’s tale, he stood by his account until his death in 1973.
Paramount Pictures // Getty Images
#3. Paper Moon
– Director: Peter Bogdanovich
– IMDb user rating: 8.1
– Metascore: 77
– Runtime: 102 minutes
“Paper Moon” takes place during the Great Depression, as a con man (Ryan O’Neal) reluctantly bonds with his partner in crime, a young girl (O’Neal’s real-life daughter, Tatum O’Neal) who may or may not be his daughter. At the following Oscars, 10-year-old Tatum made Academy Awards history as the youngest performer to win Best Supporting Actress.
Warner Bros.
#2. The Exorcist
– Director: William Friedkin
– IMDb user rating: 8.1
– Metascore: 81
– Runtime: 122 minutes
Loosely based on the account of Roland Doe’s supposed possession, “The Exorcist” follows two priests (Jason Miller and Max von Sydow) who try to help a young girl (Linda Blair) possessed by the devil. The film is remembered for its extreme impact on audiences, with theaters reporting that the film led some viewers to have heart attacks and even a miscarriage.
Zanuck/Brown Productions
#1. The Sting
– Director: George Roy Hill
– IMDb user rating: 8.3
– Metascore: 83
– Runtime: 129 minutes
Based on the real-life adventures of brothers Fred and Charley Gondorff, “The Sting” follows two con men (Paul Newman and Robert Redford) who set out to take down a gangster who recently murdered their friend. “The Sting” is one of the rare comedy films to ever be nominated for a Best Picture Oscar.
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